Well this one has taken especially long to write because of
"life" and stuff... But here it is. Finally, "La Balsa de
Piedra".
Unsurprisingly, I also took a while reading this one.
Started mid-February and finished it late-April. I'm not going to keep blaming
dissertation writing and university stuff for this, rather Saramago's jumpy way
of intertwining the characters' stories with the omniscient narrator that gets side-tracked
all the time. This doesn't make it any less enjoyable, mind you, I find a lot
of his social commentary incredibly engaging and sharp, it's just that it takes
a while to get into the story because sometimes the narrator's own voice seems
more important than the characters'. I will, however, blame university stuff
for taking so long to write this.
Now, if there is one thing I take from this novel, is that
we really are all cosmonauts wandering aimlessly through space, the very
existence of humankind doomed to end at some point due to the fact that about 4
billion years into the future, the Milky Way is expected to collide with the
Andromeda galaxy. Yet we go on with our lives because this is so alien and far
away that it seems irrelevant. But the destiny of the Iberian Peninsula is a
condensed representation of the same, and it is only when people see the end
coming that they are jolted into action of some kind. This comparison with the
fate of our galaxy is explicitly mentioned once in the novel, but of course the
point of it all is to explore how people would spend what they perceive as
their last days/months/years faced with the unexpected, and I found that a
beautiful journey because it tries to rescue the little things in times of
uncertainty.
This discussion around "the meaning of it all"
reminds me a lot of a book I've started and dropped about four times now:
"Maya", by Jostein Gaarder. The first few times I abandoned it
because I would spend more time looking up Norwegian words than actually
reading it. I started it again a few weeks ago, and I managed more than half
the book, but despaired once again on a more philosophical basis: it asks the
question of "why the bloody hell do we exist at all" way too bluntly,
and at this point in life, I can't really afford to get lost in such thoughts.
But there is of course so much more to "La Balsa de
Piedra". One of the questions I liked is how much people can and should
actually get to know one another to base their decisions:I really enjoyed how clueless some of the men were at points like this, and how much the women took matters into their own hands. Very much like back in Latin America, even. Cultural resonance, I suppose.
Though I can't say I sympathized more with a particular
character - I think I often don't - maybe because of Saramago's own
ever-present voice and wit:
"Opinions are but the apparently rationalized expressions of taste."
(paraphrasing) - "At the beginning [of his literary career], they used to say 'oh Saramago is good, but he's a communist'. Now they say 'oh Saramago is a communist, but he's good'"
And again, if we had to wait for an academic committee to confirm our beliefs through infallibly proven empirical data, or for an "expert in problems" to define what a problem is, or to get to know all the antics and misgivings of one we love to know for sure we are willing to spend a lifetime together, I'm sure the raft would dismember on a coral reef before we had a chance to taste the proverbial lover’s lips.
On that note, a song to wrap it up: https://www.youtube.com/watch?v=YM8t29gD8J8
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